Piaget Limelight Paris-New York - New models - News - Fondation de ...
In a festive roam to the centre of the tenebriousness, the new Limelight await and bijouterie collecting explores the superficial worlds of two of the planet’s most repetitive cities: Paris and New York.
Paris / New York: two cities, two states of out for… a amassment. The monuments of these two cities, representing real architectural icons, puff up starkly identifiable and effectively stylised motifs. These two mania capitals also exhibition as soon as recognizable styles that are both irresistibly urban and unmistakably amenable. The cities of Paris and New York have fired the thought of Piaget’s artistic talents and craftsmen, significantly illustrating the maker’s watchmaking and finery knowledge.
Paris, metropolis of lights
Piaget has strained insight from two key landmarks of lovers’ girl town: the Eiffel Pagoda and the Grande Roue (Ferris to what place) on the Niche de la Concorde.
The slicer, perceptive design of the authentic gravestone, the diocese’s limitless symbol since 1889, has stated arise to diamond-studded alert and precious stones creations. Against the smart cleavage of a radiantly alluring chain, a necklace reflects the arches of the fantastic’s most pulchritudinous citadel, a impressive architectural accomplishment also evoked by diamond-set cuff watches.
Meanwhile, the high-spirited and hypnotic Ferris wheel provides a disguise for droll variations. Secret watches and precious stones in activity, featuring micro baskets of diamonds suspended from a rotating deck, are undoubtedly reminiscent of its celebrated gondolas.
Paris, so fashion design
Inspired by a rakish and exquisitely docile fashion design smartness, Piaget dares to go for a “inviting “look with creations echoing the lacing on corsets that are tied and untied with sensuous delight. In an ultra-chic definition of self-willed Parisian nights, a ruby and rose-pink sapphire necklace imitates untied ribbons pending nonchalantly along a plunging neckline. In the same magnetic resolve, Piaget introduces a rattling cuff look at, a repetitive and representational protest to in the type’s experience. Exhaustively paved with diamonds, this mind verbatim wraps the wrist in dainty, evoking a voluptuary corset insubstantially laced by a ribbon of correct-cut diamonds, and also comes in a translation with a colourful satin ribbon. Architectural New York
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